Life on Film
Tuesday, May 16th, 2017I bought two new cameras recently. One is a new DSLR, the D750 I’ve wanted since the very first time I heard the term “full frame” and imagined maybe some day I would be good enough to justify such a large purchase. The other one was a Nikon N80 film photography body, an SLR camera released in 2000 that uses 35mm. I paid $26 for it on eBay after losing out on half a dozen other Nikon film cameras. The best part is I can use my good lenses on that cheap camera, so I can shoot at 1.4 or 1.8 and my film doesn’t all come out super dark.
I’ve been carrying both cameras around with me since they came. The D750 is everything I’ve ever dreamed of – fast, incredible in low light, super sharp, amazing with my favorite 35mm lens. It’s making me excited to shoot again, trying out how it does with all my lenses and getting used to the slight differences in button set-up from my last Nikon.
But the film camera has my heart. There is just something about that delayed gratification that makes me really treasure my film photos more than my digital. Which is funny, because even though I take the photos on film, when they’re developed and sent back to me they’re digital files. So it has less to do with the tangibility of the product and more to do with thinking of each frame as a valuable commodity – is this moment worth capturing? When I develop this roll will I want this picture on it? Does it go with all the other photos?
I’m making it sound more serious than it is. I’m trying to make sure my shots aren’t a disaster but I’ll still take a pic of the kids making funny faces or toes in the grass or someone twirling even though I’m pretty sure I will never take a twirling photo in focus. There is still SO MUCH I don’t know about film and honestly, I might never learn it all? But that’s ok. You don’t actually have to know everything about something to enjoy it. I like cooking, but I can’t make a turducken. I like knitting but still can’t do short rows. I really like money but who even knows how that stuff works?
My only goal is to be proud of my work, and thus, here is my whole first ever roll of Fuji 400H Pro (the film stock of fancy wedding photographers). I love them all, even the technically bad ones.
If you have an old film camera laying around somewhere, I am happy to answer questions that might help you start using it again!